His father (Michael Stuhlbarg) isn't really vacationing, though, as he's working on his own academic studies - which is how we meet Oliver (Armie Hammer), a bright and handsome 24-year-old who is assisting Elio's father as his intern.Īnd while Elio and Oliver initially butt heads, they soon discover a sexual chemistry between each other. Luca Guadagnino's fantastic film puts us in the inexperienced shoes of young 17-year-old Elio (Timothée Chalamet), a pretentious kid on vacation with his family in Italy. And after a brief, unannounced, disappearance, it's just come back to Netflix on February 1 (the same day that the LOTR movies and La La Land returned). Watch The Fellowship of the Ring, The Two Towers and The Return of the King on Netflix La La Land (2016)Ĭall Me by Your Name is one of those fantastic movies that Netflix just can't seem to keep a hold on. Rotten Tomatoes score: 91% (The Fellowship of the Ring), 95% (The Two Towers) and 93% (The Return of the King) Nobody will ever forget Andy Serkis' Gollum, though, as the films wouldn't really work without his manic goblin-mode energy. Each film is emotionally powerful, though, because of its fantastic cast, Elijah Wood and Sean Astin's Frodo and Sam are the heart of the series, while impressively dramatic performances from Viggo Mortensen, Cate Blanchett, Sean Bean, Hugo Weaving all ground the series.
CALIBRE NETFLIX ROTTEN TOMATOES MOVIE
Somehow threading the needle on making an artistic fantasy film that's also a fun-for-everyone action movie trilogy, the LOTR trilogy builds its massive world in organic ways that the Rings of Power series on Amazon Prime should have taken note on. The story, of course, tracks an adventure across Middle Earth that united Hobbits, Dwarves, Elves and Humans, all to destroy the most dangerous ring known to any species. There's something intrinsically nasty and mean about this show's outlook on the world, and while it does contain something resembling a central thesis about how the Internet has fractured the ways in which we connect with each other, it's not exactly essential messaging.Peter Jackson's fantastic Lord of the Rings trilogy just made a long march over to Netflix, and all three chapters are each critically-acclaimed.
CALIBRE NETFLIX ROTTEN TOMATOES FULL
It is an unpleasant show built on a semi-compelling mystery, and yes, if you watch to the end the full mystery will be unveiled, but while you'll know what happened, you won't feel good about it. However, while there are some bright spots to Clickbait, they do not justify the overall experience of watching the show. But let me be explicitly clear about this: It is very rare that I will say "do not watch this show," whether it be to a friend in casual conversation or to readers in print, because key to my passion for scripted entertainment is the belief that there is redeeming value in pretty much everything. There's some strong acting from the ensemble, with Kazan and Gabriel in particular really carrying the material. RELATED: 'Clickbait' Ending Explained: What Happened to Nick (and Why) It's just a mix of sad and tragic and silly and awful.
No spoilers here, but after several twists and reveals, all the layers are peeled back on the ensemble cast, reaching a conclusion that does offer up all the answers you might want, but not in a way that's particularly satisfying. Thus, it's a race to save Nick as the views go up, while Pia and Roshan ( Phoenix Raei), the primary detective on the case, try to figure out why someone would have targeted Nick like this, and Nick's wife Sophie ( Betty Gabriel) tries to preserve the family secrets which may or may not be involved.
(A successful strategy towards keeping a mystery captivating these days is to basically change what the core mystery happens to be on an episode-by-episode basis, something which Clickbait does nimbly.) However, it comes from such a fundamentally nasty place that while you might get hooked on what's happening, by the end of the season you'll just feel bad about having watched it. It might even said to be captivating, if only by virtue of the fact that the fundamental mystery is well-plotted and evolved in clever ways over the course of the eight episodes. It's a fundamentally competent season of television, on the very basic level of successfully telling a coherent story. The new Netflix thriller Clickbait is not either of those things. Meanwhile, there is the enjoyably bad television that happily crosses the line into camp, where the basic experience of watching and poking fun provides enough entertainment to justify the show's existence. There are the ineptly made shows, the ones where you wonder if anyone involved had ever sat down to watch an episode of anything ever. Any television enthusiast knows that when it comes to bad shows, there's a wide spectrum of "bad" possible.
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